Pasidalinkit savo pastebejimais 
Mieli kolegos, noriu klausti, kokia spalvota juostele jums pati paciausia ir kodel... Renkuosi, pasiula didele, nezinau nuo kurios pradeti Pasidalinkit savo pastebejimais
Pasidalinkit savo pastebejimais
QUOTE(wyshnia @ 2008 02 26, 20:59)
Mieli kolegos, noriu klausti, kokia spalvota juostele jums pati paciausia ir kodel... Renkuosi, pasiula didele, nezinau nuo kurios pradeti Pasidalinkit savo pastebejimais
Pasidalinkit savo pastebejimais Man kol kas Kodak Portra, spalvos perteikiamos tikrai nuostabiai, nebandžiau Fuji Portrait (nežinau kaip tiksliai vadinasi, Fuji Pro ar kažkaip panašiai), ji kiek teko girdėti irgi nebloga.
O jau avataro mielybė
grožis...
QUOTE(wyshnia @ 2008 02 26, 19:59)
Mieli kolegos, noriu klausti, kokia spalvota juostele jums pati paciausia ir kodel... Renkuosi, pasiula didele, nezinau nuo kurios pradeti Pasidalinkit savo pastebejimais
Pasidalinkit savo pastebejimais sveika
šiuo metu bandau portrą, bet rezultatų dar nemačiau. taip pat tikrai patiko fuji superia 200. beje, stipriai skyrėsi spalvos nuo superia 400.. 200-inė mielesnė..
QUOTE(Uzuolaida* @ 2008 02 27, 13:48)
Pupeliuk, kokia Portra naudojai: VC ar NC?
Abi naudojau, mielesnė berods buvo VC, spalvos tikrai gyvesnės
Pupeliuk, sayonara, _ms_, aciu labai uz pasidalinimus Galvoju pradziai fuji superia, bet kadangi pirksiu internetu, tai noreciau iskart kelias - taip pigiau 
Pliusiukas Portai Paziuresiu, tos press (lyg maciau, bet tik 400) 
Zinoma laukiu ir daugiau nuomoniu 
Galvoju pradziai fuji superia, bet kadangi pirksiu internetu, tai noreciau iskart kelias - taip pigiau Pliusiukas Portai Paziuresiu, tos press (lyg maciau, bet tik 400) Zinoma laukiu ir daugiau nuomoniu
jamam ir purtom guglą. štai ką jis suokia:
"Push processing involves developing the film for longer, and/or at a higher temperature. This allows larger grains of silver to form in the emulsion, forming a darker negative. This results in a lighter print and hence an increase in the apparent film speed. The opposite of push processing is called pull processing, which decreases the speed of the processed film. It is achieved by developing the film for a shorter time, and/or at a lower temperature.
Push processing is more popular than pull processing as photographers usually want to make a film faster, not slower. As such, the term push processing is sometimes used as a generic term for both push processing and pull processing.
By push processing film, a higher film speed than the manufacturer's indication can be achieved, allowing the film to be used under lighting conditions that would ordinarily be too low for good exposures. However, this comes at the cost of decreased quality: artefacts such as higher contrast, lower resolution, distorted colours, increased grain, etc. are often visible on film that has been push processed. Often, film is push processed to create these artefacts as part of an artistic effect. When a film has been push or pull processed, the resulting speed is called the EI, or exposure index; the film's speed is always the manufacturer's indication. For example, an ISO 200 film could be push processed to EI 400 or pull processed to EI 100."
"Push processing involves developing the film for longer, and/or at a higher temperature. This allows larger grains of silver to form in the emulsion, forming a darker negative. This results in a lighter print and hence an increase in the apparent film speed. The opposite of push processing is called pull processing, which decreases the speed of the processed film. It is achieved by developing the film for a shorter time, and/or at a lower temperature.
Push processing is more popular than pull processing as photographers usually want to make a film faster, not slower. As such, the term push processing is sometimes used as a generic term for both push processing and pull processing.
By push processing film, a higher film speed than the manufacturer's indication can be achieved, allowing the film to be used under lighting conditions that would ordinarily be too low for good exposures. However, this comes at the cost of decreased quality: artefacts such as higher contrast, lower resolution, distorted colours, increased grain, etc. are often visible on film that has been push processed. Often, film is push processed to create these artefacts as part of an artistic effect. When a film has been push or pull processed, the resulting speed is called the EI, or exposure index; the film's speed is always the manufacturer's indication. For example, an ISO 200 film could be push processed to EI 400 or pull processed to EI 100."
kad niekaip super ir neįsirenginėjau. viską darau vonios kambaryje (nes ten vanduo, gerai užsitamsina ir elektra yra). didžiausia problema - kur laikyti didintuvą, nes maniškis labai didelis. bet atšilus oram ji bus išspręsta. o bakeliai vietos daug neužima. laikau juos spintoje su kita fotoįranga ir vyriškais "žaislais".
